FACULTY OF COMMUNICATION

Department of Public Relations and Advertising

PRA 307 | Course Introduction and Application Information

Course Name
Creativity in Communication
Code
Semester
Theory
(hour/week)
Application/Lab
(hour/week)
Local Credits
ECTS
PRA 307
Fall
3
0
3
5

Prerequisites
None
Course Language
English
Course Type
Required
Course Level
First Cycle
Mode of Delivery face to face
Teaching Methods and Techniques of the Course Discussion
Group Work
Problem Solving
Case Study
Q&A
Application: Experiment / Laboratory / Workshop
Lecture / Presentation
Course Coordinator -
Course Lecturer(s)
Assistant(s) -
Course Objectives Systematically developing ‘Creativity’ - the most important mental activity of humans- as applied in PR and Advertising.
Learning Outcomes The students who succeeded in this course;
  • Will be able to describe the meaning and place of creativity in life, business and marketing communication.
  • Will be able to apply the skills of creative thinking in different levels and areas.
  • Will be able to evaluate the context and details of world famous cases of creativity, creative people, creative products and concepts.
  • Will be able to develop confidence with idea generation and express personal creativity; develop awareness about quality of life.
  • Will be able to test knowledge and skills to test and manage personal, group and organizational creativity.
  • Will be able to develop skills in producing creative solutions for problems in marketing, research, advertising, pr and branding.
Course Description In this course, students will learn about the system, methods and processes of creative thinking through theory, examples and applications.

 



Course Category

Core Courses
Major Area Courses
Supportive Courses
X
Media and Management Skills Courses
Transferable Skill Courses

 

WEEKLY SUBJECTS AND RELATED PREPARATION STUDIES

Week Subjects Related Preparation
1 Introduction of the course
2 What is creativity? What do we call "original"? Pope, R. (2005). Creativity: Theory, history, practice. Psychology Press, 3- 32
3 What is creativity? Why do we think some ideas are creative and some of them are not? Pope, R. (2005). Creativity: Theory, history, practice. Psychology Press, 33-60 Sir Ken Robinson, Do schools kill creativitiy? (TED Talk) https://www.ted.com/talks/sir_ken_robinson_do_schools_kill_creativity Kirby Ferguson, Embracing the Remix (TED Talk) https://www.youtube.com/watch?v=zd-dqUuvLk4
4 WARC Creative 100, WARC Effective 100 and WARC Media 100, Thinking Outside the Box WARC Database, https://www.wikihow.com/Think-%27Outside-of-the-Box%27 Goldenberg, J., Levav, A., Mazursky, D. and Solomon, S. (2009). Cracking the Ad Code, Cambridge University Press. Astrid Baumgardner, Cracking the Code on Creativity (TEDx Talk) https://www.youtube.com/watch?v=0IAJsmOq6cg
5 Field Visit
6 The health of creativity; brainstorming and mind mapping techniques for creative thinking Michalko, M. (2001). Cracking Creativity : The Secrets of Creative Genius, Ten Speed Press; New Ed edition (July 2001), ISBN 15800831101 pp.257-281, 55-63, Buzan, T. (2018). Mind Map Mastery: The Complete Guide to Learning and Using the Most Powerful Thinking Tool in the Universe. Watkins Media Limited, Chapter I-II.
7 SCAMPER technique for creativity Michalko, M. (2001). Cracking Creativity : The Secrets of Creative Genius, Ten Speed Press; New Ed edition (July 2001), ISBN 15800831101 pp.95-100.
8 Discussion of Cannes winners
9 Creativity in Advertising Guest speaker
10 Creativity in Advertising Class workshop
11 Disruption Technic and Socratic Method Arden, P. (2006). Whatever You Think, Think the Opposite ISBN-13: 978-1591841210
12 Creativity Workshop
13 Creativity for Good (What is Goodvertising?) Kolster, T. (2012). Goodvertising: Creative Advertising That Cares, Thames & Hudson, pp. 130-154 ISBN-10 ‏ : ‎ 050051626X; ISBN-13 ‏ : ‎ 978-0500516263
14 Data-Driven Creativity https://advertisingweek.com/the-new-era-of-data-driven-creative/, https://www.adweek.com/sponsored/data-driven-creative-for-the-experience-age/
15 Class Activity
16 General evaluation

 

Course Notes/Textbooks

Michael Michalko, Cracking Creativity : The Secrets of Creative Genius, Ten Speed Press; New Ed edition (July 2001), ISBN 1580083110

Suggested Readings/Materials

John Hegarty, Hegarty on Advertising: Turning Intelligence Into the Magic, Thames & Hudson; a edition (June 13, 2011), ISBN-13: 978-0500515563

 

Tony Buzan, The Power of Creative Intelligence: 10 ways to top into your creative genius, Thorsons (May 21, 2001), ISBN-13: 978-0722540503

 

Paul Arden, Whatever You Think, Think the Opposite, Portfolio; 3/16/06 edition (March 10, 2006), ISBN-13: 978-1591841210

 

John Berger, Ways of Seeing, Penguin Books; 1 edition (December 1, 1990), ISBN-13: 978-0140135152

 

Thomas Kolster, Goodvertising: Creative Advertising That Cares, Thames & Hudson; 1 edition (October 1, 2012), ISBN-13: 978-0500516293

 

Goldenberg, J., Levav, A., Mazursky, D. and Solomon, S. (2009). Cracking the Ad Code, Cambridge University Press. ISBN-13: ‎ 978-0521859059

 

EVALUATION SYSTEM

Semester Activities Number Weigthing
Participation
1
15
Laboratory / Application
Field Work
Quizzes / Studio Critiques
Portfolio
Homework / Assignments
1
20
Presentation / Jury
1
25
Project
1
20
Seminar / Workshop
1
20
Oral Exams
Midterm
Final Exam
Total

Weighting of Semester Activities on the Final Grade
3
55
Weighting of End-of-Semester Activities on the Final Grade
2
45
Total

ECTS / WORKLOAD TABLE

Semester Activities Number Duration (Hours) Workload
Theoretical Course Hours
(Including exam week: 16 x total hours)
16
3
48
Laboratory / Application Hours
(Including exam week: '.16.' x total hours)
16
0
Study Hours Out of Class
10
2
20
Field Work
0
Quizzes / Studio Critiques
0
Portfolio
0
Homework / Assignments
1
16
16
Presentation / Jury
1
25
25
Project
1
30
30
Seminar / Workshop
1
11
11
Oral Exam
0
Midterms
0
Final Exam
0
    Total
150

 

COURSE LEARNING OUTCOMES AND PROGRAM QUALIFICATIONS RELATIONSHIP

#
Program Competencies/Outcomes
* Contribution Level
1
2
3
4
5
1

To be able to critically interpret theories, concepts, methods, instruments and ideas that form the basis of Public Relations and Advertising field.

2

To be able to collect and use necessary data to produce content in the field of Public Relations and Advertising with scientific methods.

3

To be able to use theoretical knowledge gained in the field of Public Relations and Advertising in practice.

X
4

To be able to use analytical thinking skills in the field of Public Relations and Advertising.

X
5

To be able to convey creative ideas and solution suggestions supported by scientific data in written and oral form to stakeholders.

X
6

To be able to take responsibility as individual and group members to solve problems encountered in the practice of Public Relations and Advertising field.

X
7

To be able to develop solutions that favor public good and raise awareness by having knowledge about regional, national and global issues and problems.

8

To be able to relate the basic knowledge of other disciplines supporting the field of Public Relations and Advertising with his/her own field of expertise.

9

To be able to use the knowledge, skills and competencies acquired by following regulations, innovations, changes, current developments, and occupational health and safety practices closely in the field of Public Relations and Advertising; in a lifelong manner and for individual and social purposes.

10

To be able to collect, interpret and share data by considering social, scientific and professional ethical values in the field of Public Relations and Advertising.

11

To be able to collect data in the areas of Public Relations and Advertising and communicate with colleagues in a foreign language ("European Language Portfolio Global Scale", Level B1)

12

To be able to speak a second foreign at a medium level of fluency efficiently.

13

To be able to relate the knowledge accumulated throughout the human history to their field of expertise.

*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest

 


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